--- product_id: 9978650 title: "2M Blue Moving Magnet Phono Cartridge" brand: "ortofon" price: "Rp8554865" currency: IDR in_stock: true reviews_count: 13 category: "Ortofon" url: https://www.desertcart.id/products/9978650-2m-blue-moving-magnet-phono-cartridge store_origin: ID region: Indonesia --- # Wide frequency response & dynamic range Nude Elliptical diamond stylus Universal fit for most turntables 2M Blue Moving Magnet Phono Cartridge **Brand:** ortofon **Price:** Rp8554865 **Availability:** ✅ In Stock ## Summary > 🎧 Elevate your vinyl game—hear what you’ve been missing! ## Quick Answers - **What is this?** 2M Blue Moving Magnet Phono Cartridge by ortofon - **How much does it cost?** Rp8554865 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.id](https://www.desertcart.id/products/9978650-2m-blue-moving-magnet-phono-cartridge) ## Best For - ortofon enthusiasts ## Why This Product - Trusted ortofon brand quality - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Key Features - • **Dynamic & Open Soundstage:** Hear your vinyl come alive with enhanced resolution and wider soundstage. - • **Replaceable Stylus Design:** Extend your cartridge’s life with easy stylus swaps—sustain premium sound. - • **Precision Nude Elliptical Stylus:** Experience crystal-clear grooves with ultra-fine detail retrieval. - • **Seamless Universal Compatibility:** Fits effortlessly on most turntables for instant upgrade. - • **Pro-Level Inner Groove Performance:** Minimize distortion and surface noise for flawless side-long listening marathons. ## Overview The Ortofon 2M Blue Moving Magnet Phono Cartridge delivers a significant sonic upgrade over entry-level cartridges with its precision nude elliptical diamond stylus, offering enhanced dynamics, resolution, and a wider frequency response. Designed for universal compatibility, it fits most turntables and features a replaceable stylus for longevity. Ideal for audiophiles seeking richer detail, reduced inner groove distortion, and a more immersive analog listening experience. ## Description Product description Next level authenticity 2M Blue The goal for any cartridge should be to reproduce the sound as close to the artist's vision as possible, and the 2M blue takes you further on this journey of authenticity. With the 2M Blue, you get serious about listening to vinyl. Accuracy level Travelling to the moment the music was recorded The goal for any cartridge should be to reproduce the sound as close to the artist's vision as possible, and the 2M Blue takes you further on this journey of authenticity. With the 2M Blue, you get serious about listening to vinyl. Stylus Nude Elliptical stylus The Nude diamond is cut in an Elliptical shape, and when it hits the groove, it is like travelling through both space and time to the very moment the music was recorded. Compatibility Universal fit The 2M Series offers four distinct product versions: The 2M is for most common turntables on the market, the 2M Premounted for customers who wish direct and easy mounting and replacement on their S-shaped tonearm, the 2M Verso for bottom mount headshells, and the 2MR, which is designed with cartridge housing tailored for turntables and tonearms like Rega, matching their requirement for low-form factor cartridges. Output High level of sonic accuracy The engine provides an increased output of 5.5 mV optimized sound reproduction and a high level of sonic accuracy. The 2M Blue adds more dynamics and resolution, sounds more open, and reproduces more details compared to the 2M Red model. Review: Immediately on another level over the red, not even broken in yet - For the last two years, I've looked at the Blue from the sidelines, as I outfitted all (3) Technics SL-1200MK2's in the house with 2M Red's. I enjoyed the performances the Red laid down, and didn't question I had the best value at the time as Reds can be had anywhere for a Benjamin. With two young kids in the house, I felt at ease teaching them how to run the table (cue lever, handling the tonearm, etc.). If the worse happened and they bumped the arm, dropped it, etc., and the needle broke, better to lose something that isn't spectacularly expensive. Well, time goes by, and your ears adjust to your setup, you hear more of what you're getting and what you're missing, particularly when you go over to a friend's house who has a much more expensive cartridge, and you eventually get the itch. One of my three tables regularly had nasty inner groove distortion, and it was the nicest, newest table of the three, so something was up. I got an Ortofon protractor and got it better aligned than its neighbor who still outperformed. Enough of this happens, my birthday comes up, and I finally bite and order the Blue. Simultaneous to this, I replace the headshell with another identical Technics (I could never get the problematic Red secure in the old shell so it moved around easily, which in hindsight likely caused some of the issue - found out the screws used were too long and bottomed out before I could fully secure the cartridge). The afternoon testing begins with some Bach. The needle drops and finds the groove notably faster than the Red, and surface noise is nil. I find the overall response more lush, but lacking a little in the top end and the very bottom. I let the whole side play, enjoying the nuance of the piano strings - you can hear them vibrating more and even the mallets hitting them in some cases. I then shake it up and play some Doobie Brothers, an old tired copy of Stampede, starting with "I Cheat the Hangman". I've heard this song a number of times before, but the muted electric guitar and vocals are more haunting, open, and the stage is wider. Everything is breathing more and has more presence. Then I grab "One Step Closer" and play the title track. The opening drums have so much energy you'd think they were playing in the room. Then I have a cousin over to celebrate and we go off the reservation for a few hours spinning a few complete albums, starting with Styx - Pieces of Eight. With "The Great White Hope", anticipation builds as you hear layers you didn't know where there. "I'm OK" blasts through with the opening drums, again with urgency and sustain never heard before. You hear the drum hit, the transients, and the reverb, and it demands attention and respect. "Sing for the day" brings Tommy to the front, cutting clearly and making the connection. "The Message" was clear and balanced, but missing the ABSOLUTE bottom end bass notes which I assume will come more as the stylus breaks in. "Blue Collar Man" has the intro vocals clearer than ever with an ethereal staging to them, you can't really tell where it's positioned. The bass drum comes through like a muted heart beat, to great effect. This overall enjoyment continues as we proceed to Tommy Shaw's "The Great Divide", a solo Bluegrass effort with him on mandolin. No frills, just smooth, honest, like you remember with old RCA country records. Next up is Rush's "Signals". "Subdivisions" presents like never before. Neil Peart's drums stand out beautifully. The mix (and Geddy and Alex) know how to co-exist and not step on others' toes and let their talent all shine through. Neil's performance, in particular stands out, however; the talent is on full display and can't be missed or denied. "Chemistry" in particular stands out with its thick bass guitar and tight rhythm. With each album, I find myself anxious with the end of each side, where things would get semi-atrocious on the old setup due to inner groove distortion (again, I have two other Red's on the same table model and setup, and they don't suffer from this, so don't take this as a dig on the Red). Here I find no loss other than what comes from less surface area due to CAV (Constant Angular Velocity) nature of records. I feel more relieved with each passing side. The evening ended with a single track off Steely Dan's "Aja", because why not - "I Got the News". Again, the notable improvement was the drums. Donald Fagen's dry delivery is that much dryer, Walter's guitar cuts sharper, piano is more sublime, everything just sounds better and makes you want to listen to more, the ultimate compliment a music aficionado can give. Both of us were able to successfully disappear into the music landscape for the evening; lava lamp on, room lights off, accent lights for the tables lit, beer growler disappearing, super pleased in my decision and results. Transition from red to blue could be something as simple as just changing out the stylus as the cartridge is otherwise identical inside. Output impedance is the same, recommended tracking force is the same, output level seems identical, frequency response is wider on the high end with the Blue. I wanted to change everything in case somehow the Red cartridge itself was misaligned or defective, so now I have a complete spare setup (now tightened with the right screws) I can throw on in a pinch in 30 seconds. Surprisingly, it seems like the Blue cuts deeper in the vinyl and gets past some surface imperfections, giving you quieter passages between tracks, and a cleaner overall experience. Makes one wonder if it really could be this much better someday going from Blue to Bronze. I recommend this cart for any number of applications, rock, jazz, classical, I think they all benefit from its design. Review: I didn't know records could sound this good - Even though I'm well aware of the limitations of the vinyl, I've recently fallen in love with it again. I bought an ATLP120 (not the best I know, but for my price range it was a monumental improvement over my previous model, a cheap lightweight Pyle Pro, which I rarely used as it just lacked any sort of definition) back in December 2016. Since then I have slowly been tweaking and upgrading it, including cartridge alignment, using leveling feet, and trying different mats (currently using a leather one which I really like). 8 months later, the only thing left (besides removing the preamp, which I doubt I'll do as the harshness other reviewers of the turntable mention doesn't bother me) was to replace the cartridge system. I had been wanting to upgrade to a 2M red for a time but after seeing so many people start there, then go one step further and share even more enjoyment, I decided to go straight for the blue. I aso bought the SH-4 headshell which is a lot nicer and lighter than the AT headshell. So when it came a day after the headshell I got it all hooked up and the cartridge aligned. I decided to use the repressing of Def Leppard's Hysteria as a test record since it has very very sharp treble and I previously noticed some inner groove distortion. So I first played side one with the AT 95e that came with the turntable at a very high volume so as to really hear the nuances. Then I put the 2M Blue on and reset the tonearm and tracking force. I dropped the needle and immeadiately the difference was madly noticeable. I don't know how much of an improvement over the 2M red this thing gives, but compared to the AT-95e it is just a singing, beautifully balanced, beautiful monster tracking machine. Indeed the output was considerably louder but what truly astonished me is the space between the instruments and voices and all the detail which I hadn't even picked out on CD versions of the album. My next test record was my Music On Vinyl pressing of Jar Of Flies by Alice In Chains. I dropped the needle on "No Excuses" and immeadiately the drums sounded so full and the bass so resonant and the guitars so spacious. I swear this is truly better mastered than any CD version, but I just never had the cartridge to notice it. What truly blew me away was the space in the vocals. Before the harmonies were still audible but not very seperable. It sounded a bit like a guitar chord. But as soon as the vocals came in I could easily differentiate the voices and pick each interval apart. Then came the obligatory test that most people use. Dark Side Of The Moon. I was beginning to think Vinyl never really did the album justice just because the soundscape is so huge and so dense in the CD. Well the 2M blue has changed my opinion. I'll leave it at that. If you have a 2M red, I can't tell you weather to upgrade or not. But I can tell you if you have a cheap or moderate cartridge that came with a decent but not severely overpriced turntable, the difference this thing makes is worth every penny. (And to think after 40 or so hours of playback, supposedly this thing is going to be broken in and sound even better!!) ## Features - Universal fit for most turntables - Upgrade to the Ortofon 2M Red - The Ortofon 2M Blue adds more dynamics and resolution, sounds more open and reproduces more details - The 2M Blue features a Nude Elliptical diamond - Stylus is replaceable ## Technical Specifications | Specification | Value | |---------------|-------| | ASIN | B001E0CK3K | | Additional Features | Built-In Bluetooth Receiver | | Best Sellers Rank | #3,709 in Musical Instruments ( See Top 100 in Musical Instruments ) #14 in DJ Turntable Cartridges | | Brand | Ortofon | | Built-In Media | 2M phono sensor | | Color | b | | Compatible Devices | Turntable | | Connectivity Technology | RCA | | Customer Reviews | 4.7 out of 5 stars 1,066 Reviews | | Cycles | AC Motor | | Enclosure Material | Metal | | Global Trade Identification Number | 05705796080025 | | Included Components | 2M phono sensor | | Item Dimensions L x W x H | 1.1"L x 0.75"W x 0.71"H | | Item Weight | 7.2 Grams | | Manufacturer | Ortofon | | Material | Metal | | Maximum Rotational Speed | 78 RPM | | Mfr Part Number | 0560011 | | Model Name | 2M Blue | | Model Number | 0560011 | | Power Source | Unpowered | | Signal Format | Analog | | Special Feature | Built-In Bluetooth Receiver | | Style Name | Hi-Fi cell | | UPC | 780746630395 | | Voltage | 5 Millivolts | ## Product Details - **Brand:** Ortofon - **Color:** b - **Compatible Devices:** Turntable - **Included Components:** 2M phono sensor - **Item Weight:** 7.2 Grams - **Material:** Metal - **Maximum Rotational Speed:** 78 RPM - **Model Name:** 2M Blue - **Special Feature:** Built-In Bluetooth Receiver - **Style:** Hi-Fi cell ## Images ![2M Blue Moving Magnet Phono Cartridge - Image 1](https://m.media-amazon.com/images/I/71gWuEgLJuL.jpg) ![2M Blue Moving Magnet Phono Cartridge - Image 2](https://m.media-amazon.com/images/I/710NAfGxR2L.jpg) ![2M Blue Moving Magnet Phono Cartridge - Image 3](https://m.media-amazon.com/images/I/81p5b2NkhkL.jpg) ## Available Options This product comes in different **Color** options. ## Questions & Answers **Q: Does this come with needle?** A: Mine came with the needle. Sounds great! **Q: Can this play CD's..?** A: Nope, it’s a stylus/cartridge for analog vinyl LP’s. Might want to look into it a bit more before purchase. What I can say, is that this works incredibly well for its intended purpose. **Q: Will the 2m blue work on a dual cs 5000 turntable?** A: It will work,the dual has a standard cartridge mount. I would highly recommend getting the ortofon headshell (it is like 20 bucks), it will make the installation and alignment a lot easier. **Q: Will this fit Dual 1219?** A: Had a Dual 1218. Put my 1st Ortofon cartridge on it. Buy a protractor and electronic scale. Ortofon 2M Blue should work fine. ## Customer Reviews ### ⭐⭐⭐⭐⭐ Immediately on another level over the red, not even broken in yet *by C***H on February 10, 2019* For the last two years, I've looked at the Blue from the sidelines, as I outfitted all (3) Technics SL-1200MK2's in the house with 2M Red's. I enjoyed the performances the Red laid down, and didn't question I had the best value at the time as Reds can be had anywhere for a Benjamin. With two young kids in the house, I felt at ease teaching them how to run the table (cue lever, handling the tonearm, etc.). If the worse happened and they bumped the arm, dropped it, etc., and the needle broke, better to lose something that isn't spectacularly expensive. Well, time goes by, and your ears adjust to your setup, you hear more of what you're getting and what you're missing, particularly when you go over to a friend's house who has a much more expensive cartridge, and you eventually get the itch. One of my three tables regularly had nasty inner groove distortion, and it was the nicest, newest table of the three, so something was up. I got an Ortofon protractor and got it better aligned than its neighbor who still outperformed. Enough of this happens, my birthday comes up, and I finally bite and order the Blue. Simultaneous to this, I replace the headshell with another identical Technics (I could never get the problematic Red secure in the old shell so it moved around easily, which in hindsight likely caused some of the issue - found out the screws used were too long and bottomed out before I could fully secure the cartridge). The afternoon testing begins with some Bach. The needle drops and finds the groove notably faster than the Red, and surface noise is nil. I find the overall response more lush, but lacking a little in the top end and the very bottom. I let the whole side play, enjoying the nuance of the piano strings - you can hear them vibrating more and even the mallets hitting them in some cases. I then shake it up and play some Doobie Brothers, an old tired copy of Stampede, starting with "I Cheat the Hangman". I've heard this song a number of times before, but the muted electric guitar and vocals are more haunting, open, and the stage is wider. Everything is breathing more and has more presence. Then I grab "One Step Closer" and play the title track. The opening drums have so much energy you'd think they were playing in the room. Then I have a cousin over to celebrate and we go off the reservation for a few hours spinning a few complete albums, starting with Styx - Pieces of Eight. With "The Great White Hope", anticipation builds as you hear layers you didn't know where there. "I'm OK" blasts through with the opening drums, again with urgency and sustain never heard before. You hear the drum hit, the transients, and the reverb, and it demands attention and respect. "Sing for the day" brings Tommy to the front, cutting clearly and making the connection. "The Message" was clear and balanced, but missing the ABSOLUTE bottom end bass notes which I assume will come more as the stylus breaks in. "Blue Collar Man" has the intro vocals clearer than ever with an ethereal staging to them, you can't really tell where it's positioned. The bass drum comes through like a muted heart beat, to great effect. This overall enjoyment continues as we proceed to Tommy Shaw's "The Great Divide", a solo Bluegrass effort with him on mandolin. No frills, just smooth, honest, like you remember with old RCA country records. Next up is Rush's "Signals". "Subdivisions" presents like never before. Neil Peart's drums stand out beautifully. The mix (and Geddy and Alex) know how to co-exist and not step on others' toes and let their talent all shine through. Neil's performance, in particular stands out, however; the talent is on full display and can't be missed or denied. "Chemistry" in particular stands out with its thick bass guitar and tight rhythm. With each album, I find myself anxious with the end of each side, where things would get semi-atrocious on the old setup due to inner groove distortion (again, I have two other Red's on the same table model and setup, and they don't suffer from this, so don't take this as a dig on the Red). Here I find no loss other than what comes from less surface area due to CAV (Constant Angular Velocity) nature of records. I feel more relieved with each passing side. The evening ended with a single track off Steely Dan's "Aja", because why not - "I Got the News". Again, the notable improvement was the drums. Donald Fagen's dry delivery is that much dryer, Walter's guitar cuts sharper, piano is more sublime, everything just sounds better and makes you want to listen to more, the ultimate compliment a music aficionado can give. Both of us were able to successfully disappear into the music landscape for the evening; lava lamp on, room lights off, accent lights for the tables lit, beer growler disappearing, super pleased in my decision and results. Transition from red to blue could be something as simple as just changing out the stylus as the cartridge is otherwise identical inside. Output impedance is the same, recommended tracking force is the same, output level seems identical, frequency response is wider on the high end with the Blue. I wanted to change everything in case somehow the Red cartridge itself was misaligned or defective, so now I have a complete spare setup (now tightened with the right screws) I can throw on in a pinch in 30 seconds. Surprisingly, it seems like the Blue cuts deeper in the vinyl and gets past some surface imperfections, giving you quieter passages between tracks, and a cleaner overall experience. Makes one wonder if it really could be this much better someday going from Blue to Bronze. I recommend this cart for any number of applications, rock, jazz, classical, I think they all benefit from its design. ### ⭐⭐⭐⭐⭐ I didn't know records could sound this good *by D***D on August 30, 2017* Even though I'm well aware of the limitations of the vinyl, I've recently fallen in love with it again. I bought an ATLP120 (not the best I know, but for my price range it was a monumental improvement over my previous model, a cheap lightweight Pyle Pro, which I rarely used as it just lacked any sort of definition) back in December 2016. Since then I have slowly been tweaking and upgrading it, including cartridge alignment, using leveling feet, and trying different mats (currently using a leather one which I really like). 8 months later, the only thing left (besides removing the preamp, which I doubt I'll do as the harshness other reviewers of the turntable mention doesn't bother me) was to replace the cartridge system. I had been wanting to upgrade to a 2M red for a time but after seeing so many people start there, then go one step further and share even more enjoyment, I decided to go straight for the blue. I aso bought the SH-4 headshell which is a lot nicer and lighter than the AT headshell. So when it came a day after the headshell I got it all hooked up and the cartridge aligned. I decided to use the repressing of Def Leppard's Hysteria as a test record since it has very very sharp treble and I previously noticed some inner groove distortion. So I first played side one with the AT 95e that came with the turntable at a very high volume so as to really hear the nuances. Then I put the 2M Blue on and reset the tonearm and tracking force. I dropped the needle and immeadiately the difference was madly noticeable. I don't know how much of an improvement over the 2M red this thing gives, but compared to the AT-95e it is just a singing, beautifully balanced, beautiful monster tracking machine. Indeed the output was considerably louder but what truly astonished me is the space between the instruments and voices and all the detail which I hadn't even picked out on CD versions of the album. My next test record was my Music On Vinyl pressing of Jar Of Flies by Alice In Chains. I dropped the needle on "No Excuses" and immeadiately the drums sounded so full and the bass so resonant and the guitars so spacious. I swear this is truly better mastered than any CD version, but I just never had the cartridge to notice it. What truly blew me away was the space in the vocals. Before the harmonies were still audible but not very seperable. It sounded a bit like a guitar chord. But as soon as the vocals came in I could easily differentiate the voices and pick each interval apart. Then came the obligatory test that most people use. Dark Side Of The Moon. I was beginning to think Vinyl never really did the album justice just because the soundscape is so huge and so dense in the CD. Well the 2M blue has changed my opinion. I'll leave it at that. If you have a 2M red, I can't tell you weather to upgrade or not. But I can tell you if you have a cheap or moderate cartridge that came with a decent but not severely overpriced turntable, the difference this thing makes is worth every penny. (And to think after 40 or so hours of playback, supposedly this thing is going to be broken in and sound even better!!) ### ⭐⭐⭐⭐⭐ Good sound quality. *by L***Y on March 24, 2026* It seemed to be time for a new cartridge. My last one was close to 50 years old. Very pleased with its performance. I can’t compare it to others, but I do know it creates a good sound quality. I use it with a Yamaha amp with built in mm preamp ## Frequently Bought Together - Ortofon 2M Blue Moving Magnet Phono Cartridge - Hudson Hi-Fi Turntable Cartridge Alignment Kit - The Audiophile Purists Perfected 3-Piece LP Cartridge Setup Set. Accuracy Optimized Digital Scale, Azimuth Ruler, Protractor - Rich Pure Sonic Sound - Turntable Phonograph LP Phono Cartridge Stylus Alignment Protractor Tool – Mirrored (VTA Sold Separately) --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.id/products/9978650-2m-blue-moving-magnet-phono-cartridge](https://www.desertcart.id/products/9978650-2m-blue-moving-magnet-phono-cartridge) --- *Product available on Desertcart Indonesia* *Store origin: ID* *Last updated: 2026-05-09*