Secret history, the

Greek Tragedy meets Comedy of Manners. Crime and Punishment meets The Great Gatsby. In Cold Blood (the movie, not the book) meets A Night at the Opera (the movie, not the album). Donna Tartt’s The Secret History is a novel of breathtaking ambition, mixing literary genres the way a chemist mixes unstable compounds—carefully, brilliantly, and with the occasional explosion. At its core, this is a Greek tragedy in tweed and cashmere: a tale of hubris, fate, and the long, echoing consequences of a single act. But it’s also a darkly comedic study in pretension and privilege, a Comedy of Manners set in a cloistered college where everyone seems to have a martini in one hand and a Euripides quote in the other. Tartt’s prose is crisp, ornate without being showy, and often chilling in its control. The narrator, Richard Papen, is a West Coast outsider seduced by an elite circle of classics students at a small Vermont college—a clique so rarefied they feel less like classmates and more like decadent aristocrats teleported in from a lost Fitzgerald novel. (Crime and Punishment meets The Great Gatsby, indeed—where moral rot hides beneath sophistication, and where beauty and lofty ideals walk hand-in-hand with Dyonisian violence.) The book operates on a slow burn, turning up the psychological temperature degree by degree. By the time blood is spilled, you feel complicit. Tartt isn’t writing a whodunit so much as a whydunit—and then a what-happens-to-everyone-after. Stylistically, the novel blends gothic dread with drawing-room wit. It’s In Cold Blood (the film, with its bleak detachment of rain shadows for tears) filtered through the off-kilter absurdity of A Night at the Opera—though in this case, Groucho’s anti-aristocratic quips are replaced by Bunny’s provocations. Beneath all this, The Secret History is a meditation on elitism—not just academic elitism, but the dangerous, intoxicating belief that intelligence, taste, and beauty can lift one above consequence. Tartt shows us how that illusion of detachment leads not to enlightenment, but to moral collapse. It’s a book that feels like a warning, a confession, and a dare. It reminds us that brilliance without grounding is just a more elegant kind of madness.

Published in 1992 this book is famous (infamous?) for providing impetus to the "dark academia" movement - if it can be called that. The story is, more or less, fashioned after a Greek tragedy with deeply flawed characters ultimately facing the consequences of their decisions and actions. Indeed, the characters are grim - they aren't decent human beings at all. The story is not uplifting so it's not a good choice if you are looking for something to improve your mood. There is a lot of alcohol, drugs, and perversity in the story - which is more or less required to get on the New York Times bestselling list. In that respect the story hits all the right notes. There are a few things that are unrealistic - one is the sway one of the characters has over the others, another is that the story takes place at a university, but the "students" seem to study or attend class very little and still manage to matriculate term after term. Of course, writing about students studying would not be interesting reading. Finally, if any college student consumed as much alcohol as depicted by the characters in this story, they would have died of alcohol poisoning before the second term. All that said, the prose is superb. Sooth as butter, the writing whisks you into the story and keeps you engrossed until the end. In fact, The Secret History is so well written that you almost forget you are reading. So, did I like the story? No. Was I entertained and captivated? Yes. I'd have preferred at least one decent, incorruptible, semi-Tom Bombadil type character to shed some light and hope. As it is, Francis was right when he said, "I am looking forward to asking him why the hell he didn't just shoot us all and get it over with."

Tartt’s creative masterpiece is a must to read if creative intrigue, extremely developed characters and an imaginative storyline appeal to you. I’ve read her other novels, equally deserving, but this is the only one I’ve read three times. Each time I’ve thoroughly enjoyed it and picked up details I may have glossed over before. Very enjoyable—it’s hard to put this book down.

Tartt's book is sure to have paved the way for dark academia. On its release, The New York Times said: "Imagine the plot of Dostoyevsky's Crime and Punishment crossed with the story of Euripides' Bacchae set against the backdrop of Bret Easton Ellis's Rules of Attraction and told in the elegant, ruminative voice of Evelyn Waugh's Brideshead Revisited."

Muy precioso el libro 📖 y en perfecto estado!

I didn't read it myself but the recipient was happy with it.

Ich sah die Vintage-Edition von “Secret History” in einem Booktok-Video und bin sehr glücklich, dass ich genau diese Edition dann auch gekauft habe. Die Geschichte spricht für sich und ist einer der “Klassiker” des “Dark Academia”-Genres. Recht düster, aber mit einer angenehmen Herbst-Atmosphäre und durch das Verwenden von Altgriechischen, Lateinischen und manchmal auch Französischen Begriffen wird die Studier-Atmosphäre dieser gutbetuchten Studentengruppe wunderbar hervorgehoben. Das Cover fühlt sich angenehm weich an und unterstreicht aus meiner Sicht besagte Studier-Atmosphäre. Ich kann dieses Buch in dieser Edition nur wärmstens empfehlen, solange man im Vornherein klargestellt hat, dass die düsteren und schweren Themen für den Leser ertragbar sind.

Horrible boring writing style. I could not read 5 pages without almost falling asleep... Had to skip to other chapters to see if anything is going on... Nope. Boring throughout the entire book. Snooze fest.