---
product_id: 20448029
title: "Lady Lazarus"
price: "Rp514237"
currency: IDR
in_stock: true
reviews_count: 8
url: https://www.desertcart.id/products/20448029-lady-lazarus
store_origin: ID
region: Indonesia
---

# Lady Lazarus

**Price:** Rp514237
**Availability:** ✅ In Stock

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- **What is this?** Lady Lazarus
- **How much does it cost?** Rp514237 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.id](https://www.desertcart.id/products/20448029-lady-lazarus)

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- Customers looking for quality international products

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- Free international shipping included
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## Description

**DEBUT FICTION** This spectacular, sprawling debut novel tells the story of Calliope Bird Morath, daughter of legendary punk-rock star Brandt Morath—whose horrific suicide devastated the world—and his notorious wife, Penelope. The novel is narrated by both Calliope and her obsessive biographer, who follows her from her silent childhood to her first tortured, manic public statements about her father; from her highly publicized publication of a book of poetry to her mysterious disappearance; from her reappearance as the mute leader of a cultlike brigade known as The Muse to her spectacular showdown with the biographer. A disturbing and razor-sharp meditation on twenty-first-century celebrity culture, Lady Lazarus is also a funny and moving story about the age-old question of the nature of the self.

Review: What A Million Filaments / The Peanut Crunching Crowd / Shoves In To See - If the great author F. Scott Fitzgerald was right when he said that the test of first-rate intelligence is "the ability to hold two opposed ideas in mind at the same time, and still retain the ability to function," then author Andrew Altschul is scary-smart. In his debut novel, Lady Lazarus [Harcourt], Altschul plays with plenty of ideas at once, including Zen Buddhism, the high-minded literary theories of Lacan and Derrida, psychoanalysis, romantic and familial love, and the idea of structure itself, all juxtaposed against a backdrop of poetry and alternative rock. Lady Lazarus is the purposefully thin-guised story of the Cobain's, lavishly interwoven with poetic and personal details of the great poet Sylvia Plath's life. Think of the premise as this: Alt-grunge superstar Brandt Morath (Kurt Cobain) and his psycho-bitch, punk-rock wife Penelope "Penny" Power (Courtney Love), have a baby girl they call Calliope Bird (Francis Bean). Brandt commits suicide, Penny goes Hollywood between tantrums and drug binges, and Bird grows up to become, as Altschul said in his recent reading at St. Louis' Left Bank Books, "the World's most famous poet, which is not to be confused with the World's greatest poet." Initially, at least for Plath-freaks who also know a little something about Nirvana (and doesn't everyone know a little something about Nirvana?) Lady Lazarus feels a bit like a game: Oh! Electra on Azalea Path! The Earthenware Head! Courtship with a bite on the cheek! The Double Self! The Beekeeper! Ah, but that's just Altschul setting the mood. Fifty pages in, you're entertained. A hundred pages in, you're hooked, if not yet on the story itself, then on the gorgeous prose, the snarky voices, and the subtle commentaries on higher education, public relations and the power of Saturday Night Live, publishing and cover bands. It just gets deeper from there; layers and layers of meaning, each like a different color silkscreened onto this canvas of the whole 555-page, postmodern structure. And if all that wasn't enough, it's metafiction too: he's inserted the story of an obsessed biographer into the mix, coincidentally named Andrew Altschul, who misses the point, is not as cool as he'd like to be, and endearingly blunders his way toward what is Real, what he feels, and what he knew all along--if anything, in fact, is real. Sort of a Wizard of Oz for the spirit. If you want to know the fabula (a word Altschul taught me--the framework of events), read Sylvia Plath's famous poem, "Lady Lazarus." But if you want the beauty of the greater meanings, and how these meanings weave together and complement each other; if you want something to sit with and think about for days; if you want something great enough to warrant -no, to demand- a revisit, read this book. [As reviewed on nighttimes]
Review: Tedious and boring mid-way through end - This book starts off with great promise to be a fascinating read; however, about mid-way through it becomes tedious and boring. It was diffiucult to empathize with the characters.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #6,734,705 in Books ( See Top 100 in Books ) #747 in eBook Readers #192,134 in American Literature (Books) #641,652 in Genre Literature & Fiction |
| Customer Reviews | 3.7 out of 5 stars 8 Reviews |

## Images

![Lady Lazarus - Image 1](https://m.media-amazon.com/images/I/61QtWxYZe3L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ What A Million Filaments / The Peanut Crunching Crowd / Shoves In To See
*by F***E on May 3, 2009*

If the great author F. Scott Fitzgerald was right when he said that the test of first-rate intelligence is "the ability to hold two opposed ideas in mind at the same time, and still retain the ability to function," then author Andrew Altschul is scary-smart. In his debut novel, Lady Lazarus [Harcourt], Altschul plays with plenty of ideas at once, including Zen Buddhism, the high-minded literary theories of Lacan and Derrida, psychoanalysis, romantic and familial love, and the idea of structure itself, all juxtaposed against a backdrop of poetry and alternative rock. Lady Lazarus is the purposefully thin-guised story of the Cobain's, lavishly interwoven with poetic and personal details of the great poet Sylvia Plath's life. Think of the premise as this: Alt-grunge superstar Brandt Morath (Kurt Cobain) and his psycho-bitch, punk-rock wife Penelope "Penny" Power (Courtney Love), have a baby girl they call Calliope Bird (Francis Bean). Brandt commits suicide, Penny goes Hollywood between tantrums and drug binges, and Bird grows up to become, as Altschul said in his recent reading at St. Louis' Left Bank Books, "the World's most famous poet, which is not to be confused with the World's greatest poet." Initially, at least for Plath-freaks who also know a little something about Nirvana (and doesn't everyone know a little something about Nirvana?) Lady Lazarus feels a bit like a game: Oh! Electra on Azalea Path! The Earthenware Head! Courtship with a bite on the cheek! The Double Self! The Beekeeper! Ah, but that's just Altschul setting the mood. Fifty pages in, you're entertained. A hundred pages in, you're hooked, if not yet on the story itself, then on the gorgeous prose, the snarky voices, and the subtle commentaries on higher education, public relations and the power of Saturday Night Live, publishing and cover bands. It just gets deeper from there; layers and layers of meaning, each like a different color silkscreened onto this canvas of the whole 555-page, postmodern structure. And if all that wasn't enough, it's metafiction too: he's inserted the story of an obsessed biographer into the mix, coincidentally named Andrew Altschul, who misses the point, is not as cool as he'd like to be, and endearingly blunders his way toward what is Real, what he feels, and what he knew all along--if anything, in fact, is real. Sort of a Wizard of Oz for the spirit. If you want to know the fabula (a word Altschul taught me--the framework of events), read Sylvia Plath's famous poem, "Lady Lazarus." But if you want the beauty of the greater meanings, and how these meanings weave together and complement each other; if you want something to sit with and think about for days; if you want something great enough to warrant -no, to demand- a revisit, read this book. [As reviewed on nighttimes]

### ⭐⭐ Tedious and boring mid-way through end
*by N***C on February 20, 2014*

This book starts off with great promise to be a fascinating read; however, about mid-way through it becomes tedious and boring. It was diffiucult to empathize with the characters.

### ⭐⭐⭐ Disturbing Chronicle
*by T***Y on January 18, 2015*

As a child, Calliope Bird Morath witnessed the suicide of her father legendary punk rock star Brandt Morath. Thereafter, she lived in the shrine his mother made of his life and of the child who was his living embodiment. When Calliope grows up, she becomes a star in her own right, a poet...partly through use of the aura of fame and tragedy surrounding her, the rest through her own talent. Somewhere in this miasma of fame, fortune, memory, grief, and misery, Calliope and her self-appointed biographer go on a odyssey to find Brandt Morath whom Calliope believes is alive. It is through this journey that the real Calliope is revealed...the child lost in misery, searching through her words to pen her emotions and the loss she feels...and revealing that the children of the famed are cursed to merely repeat the sins of their parents, instead of rising above and conquering them. A disturbing chronicle, the insets, footnotes, and asides by the narrator giving it a documentary and eerily authentic and realistic quality. This novel is owned by the reviewer and no remuneration was involved in the writing of this review.

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*Product available on Desertcart Indonesia*
*Store origin: ID*
*Last updated: 2026-05-11*