Duke Ellington - Jazz Play-Along Volume 1 Book/Online Audio

Like new and everything included.

This is a great book. Hal leonard jazz play alongs are always garantee of good/reliable sheet music and Excellent rhythm section. Since its intended for performance and not only for practice the quality of the rhythm section is very satisfying (specially when you cant practice with a real group). Volume 1 has must to know tunes for every Jazz musician. Duke is a very played and studied musician, one can learn a lot from his music, from cadences to rhythm changes. Some play along from Ellington is vital, and this is not a bad one to start with. It also has "it dont mean a thing if it aint got that swing", a tune I could not find anywhere else but this book. I recommend this book. Be ready to get used to different chord notation if you are used to the aebersold series though! (For eb, Bb, C and bass instruments too.)

This is a really good Duke Ellington play along that features some of his most well known compositions.

Great tunes, great arrangements, quality performance..... one drawback: For performances it would be nice to be able to eliminate the "1.2.3.4" !!!!

A really nice selection of the essential Duke: Caravan, Don't Get Around Much Anymore, In a Mellow Tone, In a Sentimental Mood, It Don't Mean a Thing (If It Ain't Got That Swing), Perdido, Prelude to a Kiss, Satin Doll, Sophisticated Lady, and Take the "A" Train. Hard to imagine a better collection. The following comments are from an amateur bass player's viewpoint, and they apply equally to all of the volumes in the Hal Leonard Jazz Play-Along series: These playalongs come with two complete tracks for each tune. One is the "split-track" that puts the bass in the left channel and piano and drums in the right channel. There is a soloist--either trumpet or sax--who plays a VERY vanilla head, then there's a repeat with just the rhythm section so that YOU can try soloing against it. A bass player can just cut out the left channel and play bass behind the soloist and then play behind a "phantom" soloist. You can imagine a vocalist or whatever instrument you want. I think this is great practice since a real soloist might be playing anything, and you need to be able to play behind him no matter what his solo sounds like. Or YOU can be the second soloist yourself on these play-alongs, if you want. When using headphones and cutting out the left (bass) track to use as a bass play-along, I find that the right track sounds much more natural if I put it into both channels, using either a software program or special adapter cables I made. I do not find the second "stereo" track to be useful for a bass player since it is rhythm section only and you can't pull the bass entirely out of it. (Jamie Aebersold's play-alongs have only a rhythm section, no actual soloist, but you can split the bass out of his play-alongs and play along with the rest of the rhythm section, imagining any soloist you want.) There is a bass clef section for C instruments in each Hal Leonard play-along book that accompanies the CD, but it contains no bass lines--just changes and a melody written for a bass clef solo instrument, like trombone. You can use it to learn the melody on bass, if you wish, then branch off from there to write you own bass solo. I think it's a good thing that no bass lines are provided because it's an excellent exercise to write your own bass line in two-feel, then write another one that walks. After a while, you can learn to pull this off on the fly, just looking at the changes. If you're a rank beginner, you'll probably be busy enough just playing roots that you get from the changes, then you can add approach notes, and pretty soon you'll advance to two-feel, then walking. I use these play-alongs in conjunction with instruction books on constructing bass lines to learn to apply bass construction techniques to Real Book tunes. Using these play-alongs is the next best thing to playing with a live group, and they're always ready when you want to practice. If you're a Mac person, I recommend downloading your play-along CDs into iTunes, where you can organize them as you like. But I highly recommend actually playing them through a slow-downing, pitch-changing, looping program like Audiolobe, which you can buy online for $20 at its home website, or The Amazing Slow Downer, which costs more like $50 but has many more features. You load the tune you want from iTunes into your slow-downing program, which then lets you change tempo and/or pitch and even create focused loops on the fly--you don't have to make a new file each time you want to do this. A great and fun way to learn with play-alongs.

The musicianship on these playalongs is so high... Well if jazz was still the in thing then these cats would not have time to make playalong albums. As usual I will complain about the lack of intros to the tunes. For a real world experience the band would play an intro for each song. Not simply a countoff. Duke Ellington didn't simply play straight after a countoff. He played an intro first. I must be honest here however, I do have an ulterior motive for wanting an intro on each tune: it makes it easier to use the tunes on the job. Fair enough, these recordings were never intended to be professional backing tracks. But they are good enough. When it is me and the recorded accompaniment playing together, you know that the better players are on the recording. I have a number of playalongs in this collection and have never been disappointed. Great stuff.

Great book from a great series. Head arrangements with really nice chords. I would recommend this book to anyone wanting to learn these classic jazz standards.

Looks brilliant as it’s a Christmas.

Wonderful!